I walk out of the room with a scarab beetle brooch (found in a chest), a dagger, a lamp, a bowl, a beaker, a stylus and ink block, two pieces of papyrus, three baskets, six jugs, a jar of oil, and a mat. I hope there's no limit to my inventory, then. The manual says that "Drop" is supposed to be an object action when I click on an object, but it never appears. Clicking and dragging them back to the environment doesn't help.
#WAXWORKS DEATH SCENES HOW TO#
At this point, I realize that I can't figure out how to drop things. I do it anyway, mostly because I want to see if the 16 items the window holds are all I get, or whether it scrolls.
Unlike Elvira II, there's no spell system here that's going to make use of all these items, so there's probably no point in loading up my inventory. The room is full of baskets, jugs, pitchers, and other objects, and it turns out that, just as in Elvira II, you can pick up just about everything. Determined to lift the curse, Boris also funded a dig at Vlad's castle in Walachia and recovered a crystal ball from the impaled corpse of Ixona. It was these very individuals that Uncle Boris chose to populate his waxworks.
Generations later, other twins in the family included Torquemada, the Marquis de Sade, and a female witch burned at the stake in Salem.
In retaliation, he chopped off her hand, for which Ixona cursed the family: "In every generation in which your family bears twins, one shall belong to Beelzebub." The curse nearly immediately came true, when one twin son of the family became Vlad IV of Walachia, or Vlad the Impaler, who lived up to his name by tracking down and impaling the witch. The protagonist remembers a tale that Uncle Boris once told, about a family ancestor who caught a witch named Ixona stealing one of his chickens.
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